J.Crew Previews New Collection ahead of its Upcoming UK Opening

I am a great fan of J.Crew, so as soon as I heard that they were having a flash pop-up store event in London on the 24 and 25 May, I immediately put it in my diary. J.Crew’s highly anticipated opening in the UK in autumn 2013 was made even more exciting by the subtle but nonetheless definite hype of this event, which took place at the Western Transit Shed, an eclectically dressed urban warehouse conversion just a stone’s throw from King’s Cross Station,  to sample J.Crew’s new range, take a few snaps and generally be a bit nosey.JCrew 003JCrew 006JCrew 012JCrew 011

On display were a dozen or so key looks from the upcoming Fall/Winter collection. The most prominent new trends were woolly print-on-prints, beautifully intricate gem-filled jewellery, Aztec prints, embroidery on clean-cut heavy-weight blazers, and brocade and geometric patterns. The exquisite wool and cashmere pieces modelled clean and simple lines, and were well complemented by the busy Central American prints. For men, there were work boots, puff coats and furry hoodies.JCrew 010JCrew 001JCrew 002JCrew 009

The only pieces actually available for sale were their classic cashmeres – in a small selection of colours.  They also provided personalised monogramming, which won’t be available on the UK website, and customised, handmade collars to be worn on t-shirts. Sadly, they had run out of my size in the navy cashmere, but I’ll make sure to buy it online and perhaps try my luck and have it monogrammed at the Regent Street shop once it opens in the autumn.JCrew 007JCrew 004JCrew 005JCrew 008

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Colour Feature: Orange*

Orange is the first colour I ever remember someone disliking. I was seven or eight, not yet into black, and I was surprised to hear my mother say she found orange-coloured things repulsive. I hadn’t imagined people could dislike colours. I mean, sure, it made a kind of sense: I certainly knew which foods I disliked, for example; it just hadn’t occurred to me that colours were up for discussion. I knew I liked tigers, and that they were mostly orange. It was an earthquake of a moment.

Balenciaga S/S ’12

My mother, like all mothers, was half-right. Orange mixes its messages. It’s both warning and invitation. It has connotations of illness, of plague, of those glistening little rainforest dart frogs that exude poisonous syrups – and yet think of apricots, the nudity of peaches, the juice of tangerines and of, well, oranges. It’s sweet, is what I’m getting at, with all the sin and danger that word implies.

NORDSTROM Herschel Supply Co. ‘Walton’ Duffel

But we’re talking blaze orange here. Saturated safety orange. The colour of road cones and the Plymouth Barracuda. The colour of easyJet aeroplanes and the mobile phone company. That bright, toxic, new-basketball orange. The shade of deer-can’t-see-it orange you’d find in a hunting store. It’s the colour of autumn, of change – halfway between the self-sure reds and yellows of this world, it’s the colour of construction, of caution on building sites. Primordial, volcanic. Of something not yet fully made-up. A Halloween melding of this world and the other.

ASOS Denim & Supply Ralph Waxed Jacket

It’s a colour that’s been creeping up slowly. Oriental. Creeping onto shoes and bags, Sartorialist posts, the floor of Prada’s Men’s Fall/Winter 2012. It demands attention and works well with black, white, or dark brown. With leather. With wool. It’s one of the few colours – purple’s another – that asks something of the wearer. It confers a kind of power, a double-edged radiance you would do well to respect, and, like Alice Walker says of purple, I think it pisses God off if you walk by it and don’t notice.

From The Sartorialist

Prada F/W ’12

Do not wear more than one orange item. That one thing should be protective or functional rather than decorative, i.e., a coat, a hat, a tie, or shoes/boots. Don’t wear it with green. Don’t wear bow-ties. Don’t live alone.

Brioni F/W ’12

*This article was written by my friend and colleague Sam Eckett, press release editor and writer with a unique sense of style and a passion for all things beautiful.